Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo. Related Paintings of Diego Rivera :. | Portrait of Aomei | Dream | People | Self-Portrait | Portrait of A Family |
Related Artists:MORONI, Giovanni Battista
Italian Mannerist Painter, ca.1520-1578
.Italian painter. He was the most significant painter of the 16th-century school of Bergamo and is best known for his portraits, which feature a naturalistic rendering of both faces and costume and an objective approach to character. William Henry Furness
(1802-1896) was an American clergyman, theologian, reformer and abolitionist. Following the American Civil War, he raised funds for Black schools in the South, including Morehouse College.
A graduate of the Theological Department of Harvard University, Furness became the Minister of the First Unitarian Church of Philadelphia at the age of 22. A close friend of Ralph Waldo Emerson, Furness presided over a period marked by the growth and increasing prosperity for First Church. A fiery abolitionist, Furness was a supporter of the rights of all segments of society, including African-Americans and Jews. He also lived to see the construction of the current church building in 1885 in the role of Minister Emeritus.
Rev. Furness was the father of painter William Furness, Shakespearean scholar Horace Howard Furness, architect Frank Furness, and author and translator Annis Furness Lee.
Pieter de Grebber
Pieter de Grebber Gallery
Grebber was the son of Frans Pietersz de Grebber (1573?C1643), a painter and embroiderer in Haarlem, and would have been taught painting by his father and by Hendrick Goltzius. He was descended from a Catholic and artistic family (2 of his brothers, and his sister Maria, the mother-in-law of Gabriel Metsu, were known as painters). He was friendly with the priest and musicologist Jan Albertszoon Ban, and had a poem set to music by the Haarlem composer Cornelis Padbru??.
In 1618, father and son went to Antwerp and negotiated with Peter Paul Rubens over the sale of his painting "Daniel in the lions pit". It was then handed - via the English ambassador in the Republic, Sir Dudley Carleton - to king Charles I. Pieter got important commissions not only in Haarlem, but also from the stadholder Frederik Hendrik. As such, he worked with on the decoration of the Huis Honselaarsdijk in Naaldwijk and at the Paleis Noordeinde in Huis ten Bosch in the Hague. He painted altar pieces for churches in Flanders and hidden Catholic churches in the Republic. He may also have worked for Danish clients.