Swedish Realist Painter, 1853-1919
Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren. Related Paintings of Carl Larsson :. | sjalvportratt karikatyr | portratt av ko bonnier | amor mercurius | Papa-s Room | portratt av organisten gustaf hedstrom |
Related Artists:John White Alexander
John White Alexander Galleries
Alexander was born in Allegheny, Pennsylvania, now a part of Pittsburgh, Pennsylvania. Orphaned in infancy, he was reared by his grandparents and at the age of 12 became a telegraph boy in Pittsburgh. His talent at drawing attracted the attention of one of his employers, who assisted him to develop them. He moved to New York at the age of eighteen and worked in an office at Harper's Weekly, where he was an illustrator and political cartoonist at the same time that Abbey, Pennell, Pyle, and other celebrated illustrators labored there. After an apprenticeship of three years, he travelled to Munich for his first formal training. Owing to the lack of funds, he removed to the village of Polling, Bavaria, and worked with Frank Duveneck. They travelled to Venice, where he profited by the advice of Whistler, and then he continued his studies in Florence, the Netherlands, and Paris.
In 1881 he returned to New York and speedily achieved great success in portraiture, numbering among his sitters Oliver Wendell Holmes, John Burroughs, Walt Whitman, Henry G. Marquand, R. A. L. Stevenson, and president McCosh of Princeton University. His first exhibition in the Paris Salon of 1893 was a brilliant success and was followed by his immediate election to the Soci??t?? Nationale des Beaux Arts. Many additional honors were bestowed on him. In 1901 he was named Chevalier of the Legion of Honor, and in 1902 he became a member of the National Academy of Design. He was a member of the American Academy of Arts and Letters. Among the gold medals received by him were those of the Paris Exposition (1900) and the World's Fair at St. Louis (1904).
Many examples of his paintings are on display in museums and public places in the United States and in Europe, including the Metropolitan Museum of Art, the Brooklyn Art Museum, the Los Angeles County Museum of Art, the Museum of Fine Arts, Boston, the Butler Institute, and the Library of Congress in Washington D.C. In addition, in the entrance hall to the Art Museum of the Carnegie Institute in Pittsburgh, a series of Alexander's murals entitled "Apotheosis of Pittsburgh" (1905-1907) covers the walls of the three-storey atrium area.
Alexander was married to Elizabeth Alexander Alexander, to whom he was introduced in part because of their shared last name. Elizabeth was the daughter of James Waddell Alexander, President of the Equitable Life Assurance Society at the time of the Hyde Ball scandal. The Alexanders had one child, the mathematician James Waddell Alexander II.
Alexander's original and highly individual art is based upon a very personal interpretation of humanity. He died in New York.Peck Sheldon
American portrait painter and artist
American painter. A self-taught painter, he used his family as subjects in his early works, employing dark colours against flat backgrounds. After moving to Jordan, NY, in 1828 he used brighter colours and included more detail. He continued to paint on panel, almost always making half-length portraits characterized by such features as a broad brow, a wide, intense stare from detailed eyes and the use of a decorative brushstroke Charles Cottet
Charles Cottet (1863-1925), French painter, was born at Le Puy-en-Velay and died in Paris. A famed post-impressionist, Cottet is known for his dark, evocative painting of rural Brittany and seascapes. He led a school of painters known as the Bande noire or Nubians group (for the somber palette they used, in contrast to the brighter post-impressionist paintings), and was friends with such artists as Auguste Rodin.
Cottet studied at the École des Beaux-Arts, and under Puvis de Chavannes and Roll, while also attending the Academie Julian (where fellow students formed Les Nabis school of painting, with which he was later associated). He travelled and painted in Egypt, Italy, and on Lake Geneva, but he made his name with his sombre and gloomy, firmly designed, severe and impressive scenes of life on the Brittany coast.
Cottet exhibited at the Salon of 1889, but on a trip to Brittany in 1886 he had found his true calling. For the next twenty years he painted scenes of rural and harbor life, portraying a culture Parisians still found exotic. He is especially noted for his dark seascapes of Breton harbors at dawn, and evocative scenes from the lives of Breton fishermen.
He was close friends with Charles Maurin, and his group included the painter Felix-Émile-Jean Vallotton. Cottet has often been associated with the picturesque seaside symbolism of the Pont-Aven School, though Vallotton famously painted Cottet as a leader of Les Nabis, beside Pierre Bonnard, Edouard Vuillard, and Ker-Xavier Roussel, in his Five Painters (1902-3; Kunstmuseum Winterthur). Cottet was more explicitly the leader of his own small movement, the Bande noire of the 1890s, which included Lucien Simon and Andre Dauchez, all influenced by the realism and dark colours of Courbet.