Swedish Realist Painter, 1853-1919
Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren. Related Paintings of Carl Larsson :. | de manskliga lidelserna-passionerna | Breakfast in the Open | lisbeth vid bjorkstammamen | skamvran | gratulation till mormor |
Related Artists:Charles Angrand
French Pointillist Painter, 1854-1926.French painter. He was trained at the Acad?mie de Peinture et de Dessin in Rouen, where he won prizes. Although he failed to gain entry to the Ecole des Beaux-Arts in Paris, Angrand began to win a controversial local reputation for canvases in a loosely Impressionist manner. In 1882 he secured a post as a schoolteacher at the Coll?ge Chaptal in Paris. With this security he was able to make contacts in progressive artistic circles, and in 1884 he became a founder-member of the Salon des Ind?pendants. His paintings of this period depict rural interiors and kitchen gardens, combining the broken brushwork of Monet and Camille Pissarro with the tonal structure of Bastien-Lepage (e.g. In the Garden, 1884; priv. col., see 1979 exh. cat., p. 27). Christopher Hieronymus Johansen
(1718 -1781 ) - Painter
was a Scottish portrait and landscape painter, often called the father of Scottish landscape painting". Edinburgh Castle and Nor'Loch, circa 1780.Born in Edinburgh, he studied at the Royal High School and the Trustees Academy under Alexander Runciman, and, having been apprenticed as an heraldic painter to a coachbuilder, he, at the age of sixteen, attracted the attention of Allan Ramsay, who took the youth with him to London, and employed him upon the subordinate portions of his works. Nasmyth returned to Edinburgh in 1778, and was soon largely patronized as a portrait painter. He also assisted Mr Miller of Dalswinton, as draughtsman, in his mechanical researches and experiments; and, this gentleman having generously offered the painter a loan to enable him to pursue his studies abroad, he left in 1782 for Italy, where he remained two years. Robert Burns, 1787.On his return he painted the excellent portrait of Robert Burns, now in the Scottish National Gallery, well known through Walker's engraving. Political feeling at that time ran high in Edinburgh, and Nasmyth's pronounced Liberal opinions, which he was too outspoken and sincere to disguise, gave offence to many of his aristocratic patrons, and led to the diminution of his practice as a portraitist. In his later years, accordingly, he devoted himself mainly to landscape work, and did not disdain on occasion to set his hand to scene-painting for the theatres. He has been styled, not unjustly, the father of Scottish landscape arte His subjects are carefully finished and coloured, but are wanting in boldness and freedom.