Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Carl Larsson
kerstis frammande
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Carl Larsson

Swedish Realist Painter, 1853-1919 Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren.  Related Paintings of Carl Larsson :. | portrarr av johanne dybwad | esbjorn pa bullerholmen | suzanne | skiss till vaggmalning troligen ostra vaggen, avsedd for uppenbarelsekyrkan i saltsjobaden | ljusinterior fran dalarna- vid lampan |
Related Artists:
Bernat Martorell
was a Spanish painter, working in an Early Renaissance style. Little is known of his life prior to 1427, though by the mid 15th century he was one of the leading artists in Catalonia.
Sylvester Shchedrin
1791-1830,was a Russian landscape painter. Sylvestr Shchedrin was born in St. Petersburg into the family of the famous sculptor Pheodosiy Shchedrin, rector of the Imperial Academy of Arts. The landscape painter, Semion Shchedrin, was his uncle. In 1800, Sylvester Shchedrin entered the Imperial Academy of Arts in St. Petersburg, where he studied landscape painting. Among his teachers were his uncle, Semion Shchedrin, Fedor Alekseev, M.M. Ivanov and Thomas de Thomon.[1]. In 1811e graduated with several awards including the Large Gold Medal for his painting View from Petrovsky Island that gave him a scholarship to study abroad. Lake of Albano, 1825Sylvester left for Italy in 1818, delayed due to the Napoleonic Wars. In Italy, he studied the old masters in Rome; goes to Naples to paint watacolrs ordered by Grand Duke Mikhail Pavlovich of Russia; then return back to Rome. The biggest achievement of that period was New Rome. castle Sant'Angelo (1823) It was such a great success that he has painted 8..10 variations of the painting, each from a slightly different angle and with different details. His pension ended in 1823, but he decided to stay in abroad as a freelance painter. In 1825 he finished his work Lake of Albano that was a new step in his movement to the natural composition. In this painting he relaxed the boundary between subject and background, moved from using the formal colors. Shchedrin had many commissions and grew to become a well-known artist in Italy. He lived in Rome and Naples, working en plein air, drawing bays and cliffs and views of small towns and fishermen villages. One of his favorite motifs were terraces in vines with a view of the sea. Referred as the images of the "Midday Paradis".At the end of the 1820s, Shchedrin began to draw nighttime uneasy, almost nightmarish landscapes, which may have been inspired from his gradually declining health. He died in Sorrento in 1830.
BONZI, Pietro Paolo
ca. 1576, Cortona, d. 1636, Roma Pietro Paolo Bonzi (c. 1576-1636) also known as il Gobbo dei Carracci (hunchback of the Carracci) or il Gobbo dei Frutti (of fruits), was an Italian painter, best known for his landscapes and still-lifes. he was born in Cortona, he was part of the circle of Annibale Carracci and Domenichino, and trained under Giovanni Battista Viola in Rome. In Rome, he worked for Cardinal Pier Paolo Crescenzi in Rome. There are only two still-life paintings known with his signature; he thus forms one of the first Italian artists in Rome working in this style. The Giustiniani inventories of 1638 cite paintings by Bonzi and other still-lifes are documented in the 1670 inventory of Principe Lorenzo Onofrio Colonna's collection. He also worked in fresco and in 1622-23 worked with Pietro da Cortona on the ceiling of a gallery in the Palazzo Mattei di Giove. Other commissions cited by Baglione include his work in the Palazzo Pallavicini-Rospigliosi.






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