Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Carl Larsson
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Carl Larsson

Swedish Realist Painter, 1853-1919 Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren.  Related Paintings of Carl Larsson :. | spelparti-interior fran furstenbergska hemmet | skiss till vaggmalning troligen ostra vaggen, avsedd for uppenbarelsekyrkan i saltsjobaden | ryktet | Self-Portrait | sjalvportratt |
Related Artists:
Aleksander Kotsis
- born 1836 in Ludwinew (now one of parts of Krakew), died 1877 in Podgerze (also a part of Krakew now)- was a Polish painter renowned for his landscapes, portraits and genre depictions of contemporary rustic scenes. In 1850, he attended the Krakew College of Fine Arts, where he studied under Wojciech Stattler.
BOURSSE, Esaias
Dutch Baroque Era Painter, 1631-1672 He was the youngest son of immigrants from Wallonia. His parents, Jacques Boursse and Anna des Forest, married in 1618 in Amsterdam. We know nothing more about the education of Esaias Boursse, other than the fact that he travelled to Italy in about 1650 to study the great Renaissance examples. No reminders of those examples is to be found in his work. In the past art historians have tried to place him among Rembrandt's pupils. There is no objective evidence at all to prove this though. Maybe this opinion has been inspired by the fact that the painters were neighbours in the Sint Antoniebreestraat in Amsterdam (nowadays called Jodenbreestraat, still housing the Rembrandt House Museum). Boursse's financial position will not have been good, since in 1661 he sailed with the Verenigde Oostindische Compagnie, on the ship Amersfoort. It travelled to Ceylon (nowadays called Sri Lanka). Boursse drew the inhabitants, landscapes and city views, which have been preserved in an album which can be found in the print room of the Rijksmuseum Amsterdam. In 1663, the painter was back in Amsterdam. In 1672, Boursse sailed with Verenigde Oostindische Compagnie again. The Amersfoort set sail on October 24 and on November 16 Boursse died at sea. The life of Esaias Boursse is the story of a painter who could not earn a living by painting alone and therefore had to look for an alternative source of income. The fact that he was no exception is proven by the life stories of for example Jan Steen (who was also an innkeeper) and Johannes Vermeer (who was also an art dealer). A major difference though, is the fact that Steen and Vermeer had to feed and house a (large) family. Boursse seems to have remained unmarried and childless. Financially, Boursse's career was a success. He remains one of the highest paid artists in living memory.
Giovanni Ghisolfi
Italian Painter , ca.1623-1683 He first trained with his uncle, Antonio Volpino. In 1650, together with his friend Antonio Busca, he travelled to Rome, where he studied the great compositions of Pietro da Cortona and for some time frequented the studio of Salvator Rosa. In 1661 he returned to Lombardy and worked at the Certosa di Pavia, decorating a whole chapel with frescoes showing Legends of St Benedict (in situ), and later providing a canvas of St Bruno, which is now in the Certosa library. In the background of this picture Ghisolfi painted a sloping landscape in a style very close to that of Pietro da Cortona. In the following years he evidently established a reputation for landscape paintings with architecture and ancient ruins. In 1664 he was called to Vicenza to execute, in the Palazzo Trissino Baston and the Palazzo Giustiniani Baggio, an extensive series of decorative landscape frescoes (partially destr.; known through photographs). Numerous preparatory drawings for these exist (Haarlem, Teylers Mus.; Windsor Castle, Berks, Royal Col.). In the same period Ghisolfi collaborated with Antonio Busca on a series of decorative frescoes in the gallery of Palazzo Borromeo Arese at Cesano Maderno, near Milan, and later, with Federico Bianchi, in the Villa Litta Modigliani (1680) at Varese. Both these works have been gravely damaged by decay and later repaintings.






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