Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Carl Larsson
The Open-Air Painter
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Carl Larsson The Open-Air Painter


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Carl Larsson

Swedish Realist Painter, 1853-1919 Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren.  Related Paintings of Carl Larsson :. | Peek-a-Bool | kritiken | min aldsta dotter- suzanne med mjolk och bok | gustaf ll adolfs eller trettioariga krigets tid | lisbeth och liljan |
Related Artists:
orneore metelli

Simon Marmion
(born c. 1425 at Amiens, France, died 24 or 25 December 1489, Valenciennes) was a French or Burgundian Early Netherlandish painter of panels and illuminated manuscripts. Marmion lived and worked in what is now France but for most of his lifetime was part of the Duchy of Burgundy in the Southern Netherlands. Like many painters of his era, Marmion came from a family of artists, and both his father, Jean, and his brother Mille were painters. Marmion is recorded as working at Amiens between 1449 to 1454, and then at Valenciennes from 1458 until his death. He was patronized by Philip the Good, the Duke of Burgundy from 1454 when he was one of several artists called to Lille to work on the decorations for the Feast of the Pheasant. He was employed by several members of the ducal family, including Charles the Bold and Margaret of York. He was called "the prince of illuminators" by a near contemporary. Three years after his death his widow, Jeanne de Quaroube, married his pupil, the painter Jan Provoost, who on her death inherited the considerable Marmion estate. Although best known for his illuminated manuscripts, Marmion also produced portraits and other paintings, altarpieces, and decorative work. A famous double-sided altarpiece with several Scenes from the life of St Bertin is in the Gemäldegalerie, Berlin (with two sections in the National Gallery (London). There is a Mass of Saint Gregory in Toronto, and a Lamentation of Christ in the Metropolitan Museum of Art,three works in Philadelphia, and several others elsewhere. Stylistically he lies between his French and Flemish contemporaries, with a Flemish innovation in composition and landscape. His perspective is usually technically sound, but the proportions of his figures are often awkward, and their poses rather stiff.
oscar bjorck
född 15 januari 1860 i Stockholm, död av en hjärtattack i sitt hem klockan 03.00 den 5 december 1929, var en svensk konstnär och professor vid Konsthögskolan 1898-1925, och från 1918 även vice preses. Åren 1877-1882 var han elev till Edvard Pers??us vid konstakademins principskola och målade bland annat prisämnena Loke fängslas af asarne (1880), Gustaf Vasa inför kung Hans (1881) och Den förlorade sonens återkomst (1882, belönad med kungliga medaljen). 1883 fick Björck akademiskt resestipendium och vistades vintern 1883?C84 i Paris. Vintern 1884?C85 reste Björck till M??nchen, målade några porträtt, bland annat ett i helfigur av sin hustru. Våren 1885 flyttade han till Venezia och på hösten till Rom. Där målade han den stora modelltavlan Susanna (Göteborgs museum) och Romerska smeder (galleriet i Washington, en skiss till samma tavla finns i Göteborgs museum). 1887 målades i Venezia Veneziansk saluhall (nationalmuseum), Lördagsmässa i Markuskyrkan och andra tavlor. Efter en sommarvistelse på Skagen, där han förut tillbringat två somrar, 1882 och 1884, bosatte sig Björck 1888 i Stockholm. Han har sedan huvudsakligast målat porträtt. Bland dessa kan nämnas flera av konung Oscar (bland dem ett på Skokloster, ett i helfigur på Drottningholm, ett med krona och mantel, på Stockholms slott, ett som övergick i tyske kejsarens ägo), prins Eugen vid staffliet (nationalmuseum, 1895), kronprins Gustaf (Stockholms slott, 1900), konstnärens hustru (helfigur, 1891, Göteborgs museum) och friherre Nordenfalk (konstakademien, 1892). Dessutom skapade han några landskap, ett par genrebilder och olika dekorativa målningar. Från 1889 var han ledamot vid konstakademin och lärare vid Konsthögskolan. 1898 blev han professor. Björck var kommissarie för konstavdelningen vid Stockholmsutställningen 1897 och vid Baltiska utställningen 1914 samt för den svenska utställningen i London 1924.






Carl Larsson
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