Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Carl Larsson
The Old Church at Sundborn
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ID: 41652

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Carl Larsson The Old Church at Sundborn


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Carl Larsson

Swedish Realist Painter, 1853-1919 Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren.  Related Paintings of Carl Larsson :. | Apple Blossoms | karin och brita-omkring kaktusen-bakom kaktusen | suzanne med gunlog-suzanne och gunlog | den bevingade hasten pegasus | Congratulatory Motif With Poem |
Related Artists:
Franz Bischoff
Austrian-born American Painter, 1864-1929 was an American artist known primarily for his beautiful floral paintings and California landscapes. He was born in Bomen, Austria on January 9, 1864 and as a young teenager immigrated to the United States where he became a naturalized citizen. While in Europe, his early training was focused upon applied design, watercolor and ceramic decorations.After having lived and worked in New York, Fostoria, Ohio and Dearborn, Michigan, Franz Bischoff decided to visit California in 1900 and ultimately chose to settle in Los Angeles in 1906. Shortly after arriving, he started making arrangements to design and build a large Italian Renaissance style home in Pasadena that also became his studio. This landmark home was completed in 1908. Inspired by the California countryside, Bischoff set attempted to capture the area's brilliant light and diverse landscapes. Spending less time with ceramic painting, Bischoff painted local farms, fishing wharfs, and coastal landscapes. Recognized during his career for use of color and vivid composition, his paintings always displayed reverence for nature. One critic commented that some of his later works flirted with Expressionism and his use of colors were reminiscent of Fauvism.
Jean-Louis prevost le jeune
Noitel circa 1740-after 1810
Isidre Nonell
(November 30, 1873, Barcelona, Spain - February 21, 1911, Barcelona) a Catalonian painter and drawer belonging to post-impressionism known for his expressive portrayal of the socially marginalized of Barcelona society. (He is also said to belong to modernism and postmodernism.) Isidre Nonell was born in 1872 (not in 1873 as indicated by some biographers). His parents, Isidre Nonell i Torras de Arenys de Mar and Àngela Monturiol i Franc of Barcelona, owned a small but prosperous factory of soup noodles. Together with his childhood friend, Joaquim Mir, with whom he attended the same school in the neighborhood of Sant Pere in the old part of town in Barcelona, he developed artistic ambitions at an early age. His early teachers included Josep Mirabent, Gabriel Martenez Alt and Llu Graner. From 1893 to 1895 he studied at the Escola de Belles Arts de Barcelona (Fine Arts School of Barcelona). He met Ricard Canals, Ramen Pichot, Juli Vallmitjana, Adrie Gual, and Joaquin Sunyer with whom he developed an interest in landscape painting, studying light. The study of sunlight and its effects on color were a main part of Impressionism, which was then active. They were called the "Saffron Group" for the warm tones they used, as well as the "Sant Marte Group" after the town they painted in. In 1894, he began producing illustrations for La Vanguardia. He later drew for other periodicals, including LeEsquella de la Torratxa, Barcelona Cemica, Pel & Ploma, and Forma. In 1896, Nonell went with Ricard Canals and Juli Vallmitjana to the spa town of Caldes de Boe in the Catalonian Pyrenees to work at the spa run by Vallmitjana's family. There, he saw a large number of people suffering from the illness of cretinism, which became a subject of his paintings. In February 1897, he went to Paris with Ricard Canals. There he exhibited and shared a studio with Picasso. He returned to Barcelona in 1900. At the beginning of 1901, he made paintings of women, such as gypsy and working-class women, and still lifes. He exhibited in the Sala Par in Barcelona twice, in 1902 and 1903. The reaction to his works of poor gypsy women was very hostile.






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