Swedish Realist Painter, 1853-1919
Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren. Related Paintings of Carl Larsson :. | flicka i blatt | Brita as Idun | Brita-s Nap | Grandma and Little Girl | Esbjorn,November |
Related Artists:Melone, Altobello
Italian, active approx. 1516-1543Gerard Hoet
(1648 - 1733), was a Dutch Golden Age painter.
Gerard Hoet trained with his father and brother who were glass painters, and Warnard van Rijsen, who lived in Zaltbommel, and who himself was a pupil of Cornelis van Poelenburgh in Utrecht. In 1672 Hoet moved to The Hague, but when the Count of Salis bought paintings at his mother's house in Zaltbommel, he returned to paint for him. He accompanied him to Rees, Germany, where he met the Utrecht painters Jan van Bunnik, Justus Nieuwpoort and Andries de Wit.With De Wit he returned to Utrecht, where he worked for Frederick Nassau de Zuylestein briefly before visiting the Hague and Amsterdam. He then travelled to France on the promise of a Marquis who wanted to give him a commission, but this promise falling through, he made some engravings of paintings by Francisque Millet.He then wanted to travel to England, but having written to his compatriot Lucas Vorsterman, he received word that there was more work to be had in Paris. Hoet travelled to Paris where he spent more than a year, before returning to the Netherlands via Brussels.In Brussels he met the painter Adriaen Frans Boudewyns, who convinced him to stay a while. After eight months, Hoet returned to Utrecht, where he worked for William Nassau de Zuylestein, 1st Earl of Rochford. He married and settled in Heemstede (Utrecht), where he found work for the lord of the castle therePollaiuolo, Jacopo
Painter, brother of Antonio Pollaiuolo. He was described as a painter in the membership records of the Compagnia di S Luca, which he joined in 1472. According to tradition, he initially trained under Andrea del Castagno. In his 1480 tax return Piero reported that he had a small house adjoining the family home '...which I use when I have painting to do'. He produced many paintings for the Florentine workshop,