Swedish Realist Painter, 1853-1919
Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren. Related Paintings of Carl Larsson :. | hellbergs minsta | november rimfrost | A Fairy | Karin and Kersti | brita i blomrabatten |
Related Artists:Thomas Hearne
British Painter, 1744-1817
English painter and engraver. From 1765 to 1771 Hearne studied printmaking as apprentice to the landscape engraver William Woollett, exhibiting watercolours meanwhile at the Free Society of Artists and the Society of Artists. In 1771 he abandoned engraving and accompanied Sir Ralph Payne to the Leeward Islands (where Payne had just been appointed Governor), returning in 1775; several of his fastidious watercolours of Antigua survive, for example the Court House and Guard House in the Town of St John's in the Island of Antigua (n.d.; London, V&A). From then on British topography was his main concern. He travelled widely in England, Scotland and Wales with Sir George Beaumont and from these excursions was able to provide 84 drawings which, engraved by William Byrne, were published as The Antiquities of Great Britain (1778-81). This series set new standards in the pictorial recording of medieval architecture. Hearne also provided drawings for etchings of landscapes and 'rural sports'. Tobias Verhaecht
(Antwerp, 1561 - 1631) was a painter and draughtsman active in Antwerp, Florence and Rome. Primarily a landscape painter, his style is indebted to mannerist world landscapes of artists like Joachim Patinir with high viewpoints, fantastic distant perspectives and three-colour scheme. Before Verhaecht entered Antwerp's guild of St. Luke in 1590-91, he had already spent time in Italy, first in Florence, and then as a fresco painter in Rome. Peter Paul Rubens, who was a relative by marriage, studied with him around 1592, and another student was his own son, Willem van Haecht. Verhaecht is also known for his designs for prints.
Theophanes the Cretan
active 1527-1559,was a leading icon painter of the Cretan school in the first half of the sixteenth century, and in particular the most important figure in Greek wall-painting of the period.
He was born in Heraklion (date unknown), and no doubt trained there, but all his known work was done in mainland Greece. Frescoes bearing his signature survive in the Greek monasteries of Mt. Athos, especially Stavronikita monastery and Lavra, and Meteora which has his earliest dated work, from 1527. He also did many panel icons, either for iconostases or small portable works. Theophanes was active from about 1527-48, and trained his sons and several pupils, often themselves Cretan. By 1535 both he and his two sons had become monks in the Lavra monastery of Mount Athos, where many of his best works remain. Theophanes returned to Crete before his death in 1559.
Two detached wallpaintings attributed to Theophanes are in the Hermitage Museum in Saint Petersburg. Like most Cretan painters of this date, his work shows some influence from Western painting, but less in his case than with many artists. Some faces are personalised or looking out to the viewer, and his figures are modelled to convey volume. His work is more conscious of visual perspective than older Byzantine artists, but he does not use the geometrical perspective schemes by then standard in the West. He uses traditional Byzantine compositions, in a rather austere and powerful manner.
He should not be confused with Theophanes the Greek (Feofan Grek), an icon painter who worked in Muscovite Russia in the late fourteenth century.